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Professional Broadcast Solutions

Reliable, durable lenses with outstanding 4K optical and HDR performance.
Broadcast Equipment
Canon broadcast solutions for professional use on field or in studio on B4 mount camera systems.
Featured products in broadcast

The Canon professional imaging difference

Discover the essence of professional-grade technology that sets our products apart. Our equipment is the cornerstone of professional creativity.



HDR performance

Trusted lenses capable of rendering the full gamut of midday sun and shadows, maximising sharpness across the full image plane while minimising chromatic aberrations.

  • True versatility

    From handheld run-and-gun shoots to box zooms that will allow you to cover a stadium from your fixed position, Canon empowers you to capture your vision in any scenario. Our lenses seamlessly adapt to your needs.

  • Crafted for reliability

    Count on Canon's legendary durability and resilience in the field. Our lenses are crafted to endure the harshest weather conditions and the most demanding shoots, delivering consistent performance no matter the environment.

Frequently Asked Questions
  • What is a broadcast lens, and how does it differ from regular camera lenses?

    Dedicated broadcast lenses are a specialised, durable, parfocal category designed for B4 mount, 2/3” sensor camera systems. Featuring a multi-group zoom system ideal for professional broadcasting applications that require long focal lengths and fast apertures such as sporting events, news gathering and live production.

  • How do Canon broadcast lenses compare to other broadcast lenses?

    Canon is proud of the superb optics, durability and reliability of our broadcast lens line.

    Our optical performance is achieved by using the highest quality materials including fluorite, UD Glass and Hi-UD Glass (Ultra Low Dispersion) – materials with powerful properties for correcting chromatic aberration.

    Canon technology incorporates incredible HDR capacity with high resolution capture in mind. Lenses can be integrated into virtual studio system setups with the 16-bit resolution encoder included within the hand grip accessories or built into box/field lens.

  • What factors should you consider when choosing a broadcast lens for a 4K camera?

    · Optics designed to resolve 4K broadcast lens resolution
    · HDR/WCG (Wide Colour Gamut) capabilities
    · Focal range
    · Image stabilisation
    · SERVO capabilities
    · Durability
    · Focus breathing suppression
    · Lens coating

  • Can I rent a Canon broadcast lens for my next production, and where can I find options?

    Yes, Canon broadcast lenses are available for hire through Video Craft (Sydney and Melbourne). Contact us for advice on other local rental options.

  • What are the best broadcast lenses for electronic news gathering (ENG)?

    Select from our extensive range of ENG / portable lenses to find the best optics for your purpose. Two of our most popular lenses are the CJ15 EX4.3B IASE (wide, great for piece to camera interviews) and CJ27ex7.3B IASE T (all-rounder multipurpose studio and live events).

  • How do I calculate the appropriate broadcast lens for my specific camera setup?

    The best lens for your camera set up depends on the reach you need for your work and the type of subject you are covering. To calculate the focal length, take the wide angle from the product name and multiply that by the zoom ratio. Broadcast lens calculators are available online to assist in defining your Field Of View (FOV).

  • What is a broadcast box lens, and when should it be used in production?

    A specialist broadcast zoom lens is typically used when you need extensive focal length with fast aperture. Box/field lenses are heavy and are used locked off in a fixed position. Powerful and perfect for sport and live events.

  • Which Canon lenses are best for broadcasting applications, and what features should I look for?

    The best Canon lens for broadcast applications will depend on your use, location and purpose.

    Our flagship UJ122x8.2 box/field lens covers serious range between 8.2-1000mm (or with extender 16.4-2000mm) and is popular for live sports production due to its image stabilisation capacity, zoom reach, premium 4K optics and HDR performance.

    Our flagship CJ45ex9.7B IASE-V H portable/ENG lens is an ultra-high zoom with consistent results across its zoom range, image stabilisation and premium 4K resolution, a perfect lens for live sports production and events broadcast.

    The Canon CJ15ex4.3B combines our widest angle with premium optics, a popular choice for interviews to camera.

  • What are the key differences between B4 broadcast lenses and other broadcast lens types?

    B4 mount broadcast lenses are industry standard. They attach to small 2/3” sensor camera systems which allow for extensive focal range combined with fast aperture and AF. The weight of box/field lenses set them apart from other lens types.

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